3x16 - Fallen Angels

[Prue Brianna Johnna Halliwell]

DESTINED

"FALLEN ANGELS"

TEASER

OVER BLACK.

FADE IN:

EXT. NEW ORLEANS – NIGHT

MUSIC: 'THAT’S IT!' BY PRESERVATION HALL JAZZ BAND

A night view over the Jazz town. The French Quarter is full of people coming in and out the town’s famous restaurants and clubs. Lots of people are having fun in the streets. Street musicians are playing.

CUT TO:

INT. PIPER & LEO’S FLAT – KITCHEN – NIGHT

Light is on.

MUSIC FADES OFF.

CLOSE UP: A CUP OF COFFEE ON THE TABLE. A WOMAN TAKES IT.

Beat. That woman is no other than Prue Halliwell. She has a sip of the coffee.
Piper Halliwell comes in wearing pajamas and a robe. She stops as she sees Prue there sitting at the table and having coffee. Piper seems surprised.

PIPER

(surprised)

Prue!

PRUE

Sorry, Aunt Piper. I came in and took a cup of coffee.

PIPER

What are you doing here, honey? At this time of the night?

PRUE

I need to talk. You seemed the right person to talk to.

Piper heads to the coffee machine and pours herself a cup of coffee.

PIPER

Couldn’t it wait till tomorrow?

PRUE

Maybe it could. But I couldn’t stay in San Francisco after what happened.

Piper sits across the table in front of Prue.

PIPER

What happened?

Prue takes a deep breath and then looks straight into Piper’s eyes.

PRUE

I had a vision.

Piper gets straight in the chair. Surprised and curious at the same time.

PIPER

A vision of what?

PRUE

My future.

Piper takes a deep breath.

PRUE (CONT'D)

I saw my future.

PIPER

(curious)

What did you see?

Prue takes a few seconds before answering Piper’s question.

PRUE

Wyatt.

Piper is shaken by that, but she recovers immediately.

PIPER

Honey, ---

Piper holds Prue’s hand.

PIPER (CONT'D)

--- As much as I would like to believe that it was a vision of the future, you and I know that it cannot be.

PRUE

I know what I saw.

(pauses)

I had this vision before.

Piper squints.

 PRUE (CONT'D)

I was dating Jackson back then and I saw it. Him and three little girls. And I was telling him that he was the best father in the world.

Piper is surprised.

PIPER

Did you really see Wyatt?

PRUE

I saw his back.

Piper lowers her gaze. She seems disappointed. Then she looks straight to Prue.

PIPER

What makes you think that it was Wyatt? You only saw his back.

PRUE

Aunt Piper ---

PIPER

No, Prue. I already went to a pain like this before. This time is worse, but I’ve learned since the day I lost your Aunt Prue.

PRUE

She’s alive.

PIPER

And we know it now. But she died then. And I kept holding myself to the hope that one day she would cross the front door.

(pauses)

But she never did. I know she’s alive know, but for me she wasn’t for 24 years.

PRUE

Are you telling me that I need to accept that my husband is dead?

PIPER

Because he is, honey. I have to live knowing that my son is dead. And believe me, there’s not hardest pain than losing a son. It softens if you learn to live with it.

Piper gets up and approaches Prue. She takes Prue’s hand.

PIPER (CONT'D)

He will live in your heart as long as you remember him.

A tear runs down Piper’s face.

PIPER (CONT'D)

But life must go on.

Prue stands. She seems disappointed with Piper’s words.

PRUE

I came here hoping for you to say that we shouldn’t stop trying bringing him back.

Prue looks deeply into Piper’s eyes.

PRUE (CONT'D)

I can’t accept he is dead.

PIPER

Prue ---

PRUE

I must go.

Without saying anything else, Prue BEAMS out. Piper takes a deep breath.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Ivan Sergei as Henry Mitchell

Guest Starring

Daniel Di Tomasso as Gadreel / The Darkness

John Wesley Shipp as Ignatius

William Petersen as Handreel

Katie Cassidy as Melissa

Peter Facinelli as Sebastian

Ignacio Serricchio as Marco Delgado

Jason Bateman as Serial Killer Jones

Drew Seeley as Angel / Seth

Unknown actors as Cops

Unknown actors as Paramedic

Unknown actors as Angels

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADES IN:

EXT. SAN FRANCISCO – NIGHT TO NIGHT

A view over the town as night becomes day at the sound of ‘Fix You’ by Coldplay.

Some places in town are being shown as the music plays. The day seems grayish. People start leaving their homes to work. Students head to school. Public transports are full of people.

CUT TO:

EXT. HALLIWELL MANOR – DAY

A couple of cars pass by.

CUT TO:

INT. HALLIWELL MANOR – ENTRANCE / FRONT HALL / STAIRCASE – DAY

Melinda comes in from the dining room holding her mobile phone. She looks tired. Prue comes in front the front door. Melinda is relieved.

MELINDA

Finally!

Prue stops and looks at Melinda.

MELINDA (CONT'D)

Where have you been? I waited for you all night.

PRUE

I was out there just wandering.

MELINDA

I was worried. I called everybody trying to reach you.

PRUE

I’m fine.

Prue deviates her eyes from Melinda. Melinda stares at her. Prue gives him.

PRUE (CONT'D)

I went to New Orleans. I wanted to talk to Aunt Piper.

MELINDA

About what?

Prue takes a deep breath.

PRUE

I had a vision last night.

MELINDA

(surprised)

A vision?

Prue nods yes.

MELINDA (CONT'D)

What did you see?

PRUE

My future ---

(pauses)

--- With Wyatt.

Melinda is amazed.

MELINDA

What?

PRUE

I had this vision before. Like a couple of years ago. I saw him ---

(pauses)

--- His back.

Melinda lowers her gaze.

PRUE (CONT'D)

Aunt Piper thinks that it wasn’t probably Wyatt who I saw.

Melinda tries not to look at Prue. Prue notices Melinda has an opinion about that.

PRUE (CONT'D)

What?

MELINDA

What if it wasn’t Wyatt?

Prue starts getting red.

PRUE

Don’t you think I’d knew my husband?

MELINDA

You saw his back.

PRUE

So?

Melinda takes a deep breath.

MELINDA

It was probably someone else.

Prue is mad.

PRUE

Who?!

MELINDA

Nate for example.

Prue is wrathful.

MELINDA (CONT'D)

He is blond as well. Their backs ---

PRUE

(sure)

It was Wyatt.

(pauses)

Why are you bringing Nate into this conversation?

MELINDA

Think, Prue. He was there when Isabelle lost William.

PRUE

I’m not Isabelle.

MELINDA

Maybe Nate is supposed to be ---

PRUE

(mad)

Nothing!

Both stare at each other.

PRUE (CONT'D)

I don’t care what my past lives did, I won’t do the same.

Prue heads to the staircase.

MELINDA

He’s been calling.

Prue stops.

MELINDA (CONT'D)

Nate is worried about you.

Prue turns to Melinda.

PRUE

I don’t care.

Prue turns around and goes upstairs. Melinda takes a deep breath.

CUT TO:

INT. UNDERWORLD – GADREEL’S CAVE – DAY

Gadreel comes in followed by Ignatius.

IGNATIUS

I just gave an athame to a human.

GADREEL

Who?

IGNATIUS

This man was in prison for murdering seven women ten years ago.

Gadreel turns to face Ignatius.

IGNATIUS (CONT'D)

We called it Serial Killer.

GADREEL

Seven?

Ignatius nods.

GADREEL (CONT'D)

What made him stop?

IGNATIUS

He was caught.

GADREEL

Where is he now?

IGNATIUS

Following orders.

Gadreel smiles.

IGNATIUS (CONT'D)

He’s going after those who put him in prison.

GADREEL

Good.

Ignatius smiles.

GADREEL (CONT'D)

Keep me updated. Now, please, leave me.

Ignatius bows and leaves the cave. Gadreel stares at him leaving. Once Ignatius is out, Gadreel approaches a wall and WAVES his hand. The door that leads to the hiding cave, appears. He walks in.

CUT TO:

INT. UNDERWORLD – GADREEL’S HIDING CAVE – DAY

Gadreel comes in. The cell where Wyatt is being kept is not hiding. Wyatt is there sitting in a corner of the small bed.

GADREEL

You’re awake. Good!

Wyatt doesn’t look at him.

GADREEL (CONT'D)

Do you want me to get something to make you feel more comfortable?

Wyatt shoots him a ‘You’re kidding me’ expression.

GADREEL (CONT'D)

(smiles)

Sorry. I couldn’t hold it inside.

Wyatt deviates his look from Gadreel.

GADREEL (CONT'D)

Oh, c’mon, you have to admit it. I am funny.

Wyatt stands.

WYATT

Are you going to tell me once and for all what the hell do you want from me?

GADREEL

You really want to know?

Both stare seriously at each other.

GADREEL (CONT'D)

Before I tell you that, I should tell you my story. Do you want to hear it? Do you have time? Because it’s a long story?

Wyatt is serious. Gadreel laughs.

GADREEL (CONT'D)

Of course, you have time.

(serious)

So, do you want to know my story?

Both stare seriously at each other.

CUT TO:

EXT. SAN FRANCISCO P.D. – DAY

Police cars are parked outside.

CUT TO:

INT. SAN FRANCISCO P.D. – HENRY’S OFFICE – DAY

A few cops are there. Junior is there as well.

HENRY

So, this man is very dangerous. Be careful.

(pauses)

The FBI is in charge of finding this subject, but I want you all to be careful and open-eyed.

The cops nod yes. Henry nods them to leave. Detective Delgado comes in as the cops head out.

MARCO

News?

HENRY

Nothing. The FBI hasn’t found him yet.

MARCO

This guy is dangerous. I remember when he was caught.

(pauses)

It was you, wasn’t it?

Marco is talking to Henry.

HENRY

I helped the FBI with it. The unsub ran toward this town.

JUNIOR

Well, we don’t know what’s the man’s plan. Do you think he’s gonna risk and get back to his old job?

HENRY

I don’t know, but like I said, let’s keep our eyes opened.

Junior and Marco head out the office. Henry sits at his desk. He has a worried look on his face.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – BATHROOM – DAY

Prue is inside the bathtub covered with bath foam. She tries to relax. She keeps her eyes closed.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – DAY (MOMENTS LATER)

Prue comes out the bathroom wrapped in a towel. Her hair is all wet. She takes her hairbrush and starts combing her hair. She looks herself in the dresser mirror. She turns around and takes the TV remote control, which is on the bed, and turns on the TV which is in a corner next to the window. In the screen, can be seen two actors: Meg Ryan and Nicolas Cage. The movie: City of Angels.

Prue keeps combing her hair. She glances at the TV.

CLOSE UP: TV SCREEN. SCENE OF THE MOVIE. IN THE CORNER A TITLE:

YOU’RE WATCHING: CITY OF ANGELS

Prue looks at the TV and then looks herself again in the dresser mirror. She stops as she remembers something.

PRUE

Angels!

She turns to the TV.

PRUE (CONT'D)

Angels!

(amazed)

How could I forget?!

A voice sounds loud inside her head.

HANDREEL (O.S.)

Go back and read again.

Prue remembers.

PRUE

(quoting Handreel)

‘Go back and read again’.

(astonished)

How could I forget?!

She heads fast towards her closet. Moments later she comes wearing a tracksuit. She approaches her bed and WAVES her right hand. On the bed, six books appear. She stares at them for seconds and then sits on the bed. Prue takes Vol I. – The First Creation. She sits in a comfortable position landing her back against the headboard and starts reading.

CUT TO:

INT. UNDERWORLD – GADREEL’S HIDING CAVE – DAY

Gadreel walks from a side to another. Wyatt stares at him from inside his cell.

WYATT

I thought you were going to tell me your story.

Gadreel stops and stares at Wyatt.

GADREEL

Very well. I think you deserve to know. After all is unfair for you, once you don’t remember.

WYATT

I don’t remember what?

Gadreel smiles.

GADREEL

Have a sit, my friend, because I’m gonna tell you the story of my life.

Both stare at each other.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – DAY

Prue is sitting comfortable reading Vol I.

PRUE

(reading aloud)

‘--- so many battles were fought, with the help of dedicated angels as Gadreel, Uzriel and Adriel. The three of them fought in one of the biggest battles that were won. The three of them were very loyal and dedicated to the cause.’

Prue raises her eyes from the book.

PRUE (CONT'D)

(thinking)

Gadreel, Uzriel and Adriel.

She thinks for a while and looks at the other books. Vol II calls her attention. She closes Vol I and opens Vol II – Fallen Angels. She starts flipping through its pages.

Gadreel’s voice is heard in the background telling his story.

GADREEL (O.S.)

‘In a time with no humans, Angels were the favorite beings. I was one of the favorites. Some kind of Prince among Angels.’

A white shiny light appears and we are taken outside of time and space.

FLASHES TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

GADREEL (O.S)

(telling the story)

‘We lived happily. I was happy. I had the most amazing and loyal friends’.

The place is white. It looks pretty much like the Whitelighters’ place, but this is much more white and shiny.

Some steps and laughs are heard. Gadreel comes in laughing. He is wearing a warrior’s suit. Along with him comes someone else: a female angel wearing a beautiful white dress. BEAT. This female angel has Prue’s face. This female angel’s name is Adriel. She is laughing as well.

GADREEL

It was fun.

ADRIEL

I know, right?

Gadreel and Adriel keep laughing. At that moment, Handreel comes in followed by another angel. A male one: Uzriel, also wearing a warrior’s suit. BEAT. Uzriel has Wyatt’s face. Handreel wears a white robe.

HANDREEL

(to Gadreel)

Gadreel?

(to Adriel)

Adriel?

ADRIEL

(whispering)

Fun is over!

Gadreel smiles.

HANDREEL

(serious; to Adriel)

What did you say?

ADRIEL

(lowers her gaze)

Sorry.

She looks shy to Handreel. Handreel shoots her a look. Then Handreel gets to the point.

HANDREEL

(to Gadreel and Adriel)

We missed you at the reunion I called. Explain yourselves.

Gadreel and Adriel exchange glances. Uzriel looks at them.

GADREEL

I’m sorry. I wanted to show something to Adriel.

HANDREEL

(to Adriel)

Do I want to know?

Adriel nods no. Handreel shakes his head and then takes a deep breath.

HANDREEL

Anyway, you two ---

(to Gadreel and Uzriel)

--- Should get ready. It’s time for us to fight this Darkness.

UZRIEL

Sure.

ADRIEL

I want to go too.

The three of them look to Adriel.

HANDREEL

Go where?

ADRIEL

To fight against Darkness.

HANDREEL

No way. Female Angels are not warriors. Now be a good Angel and head to the Room of Music.

ADRIEL

I was not made for music.

HANDREEL

(serious)

Don’t argue my orders, Adriel.

Adriel lowers her gaze.

HANDREEL (CONT'D)

We’re gonna need a celebration if we get off this battle victorious.

ADRIEL

Yes, Sir.

Handreel shoots her a look and turns around to leave. Gadreel and Uzriel approach her.

UZRIEL

Don’t worry, we’ll be back.

ADRIEL

You’d better.

Adriel shoots them an accomplice look. They both smile and turn to leave, but Adriel stops them.

ADRIEL (CONT'D)

Aren’t you forgetting something?

They look at her. She smiles and signs to her cheeks. They smile. Both approach her and they kiss her in her cheeks. Gadreel in her right cheek and Uzriel in her left. Then, they walk away. Adriel washes them leave.

ADRIEL (CONT'D)

(to herself)

I was not made for music!

She turns around and leaves in the opposite direction.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. UNDERWORLD – GADREEL’S HIDING CAVE – DAY (PRESENT DAY)

Gadreel is standing in front of the bars. Wyatt looks at him.

WYATT

(seems surprised)

So, you weren’t Darkness?

GADREEL

Not at first.

(smiles)

But I changed. For her.

WYATT

(sarcastic smile)

Adriel? You were in love?! Angels don’t fall in love.

GADREEL

That’s now. But then, things were different.

(pauses)

We went to war. And we won that battle at a cost.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

Angels come in. They look happy. But Handreel is not that happy. Gadreel and Uzriel come after him. Handreel signs the other angels to leave. Then, from behind Gadreel and Uzriel, Adriel comes in.

HANDREEL

I am very disappointed with you, Adriel.

ADRIEL

I wanted to fight.

HANDREEL

You put yourself in jeopardy. If it wasn’t for Gadreel ---

Handreel points to Gadreel. Uzriel and Gadreel exchange glances.

HANDRIEL (CONT'D)

--- I don’t know what would have happened to you.

(serious)

You are grounded.

Adriel lowers her gaze.

HANDREEL (CONT'D)

(to Gadreel)

Thank you, Gadreel. Times of change are close. Defeating Darkness is essential to the plans of the creation.

(to the three of them)

Now, let’s celebrate.

Handreel walks away. The three of them stay there.

UZRIEL

You were very irresponsible, Adriel.

ADRIEL

I know. But I wanted to fight.

(to Gadreel)

How did you know it was me? I was wearing a helmet.

GADREEL

I don’t know. I look into your eyes and I knew it.

Gadreel seems weird.

GADREEL (CONT'D)

Are you two OK with this creation thing?

ADRIEL

What do you mean?

GADREEL

We, Angels, were supposed to be the favorite ones and if this creation moves forward we are gonna share it with things they want to call humans.

UZRIEL

Those plans are above us, Gadreel.

GADREEL

I know, but I don’t believe in it. It won’t work. I want to do something to stop it.

UZRIEL

How?

GADREEL

I’ll think of something.

Gadreel stares at Uzriel and Adriel.

GADREEL (CONT'D)

Are you two with me?

Adriel and Uzriel exchange glances.

ADRIEL

You can count on us.

Gadreel smiles. Something has changed in him. His smile is wicked.

FLASHES TO:

EXT. SAN FRANCISCO P.D. – DAY (PRESENT DAY)

STOCK.

CUT TO:

INT. SAN FRANCISCO P.D. – MAIN ROOM – DAY

Junior and Marco come in fast. Henry comes out from his office.

HENRY

It was him?

Junior and Marco exchange glances.

MARCO

Yes. The MO was the same, but this time he attacked a man.

HENRY

Judge Monroe!

Junior approaches his father.

JUNIOR

You should stay here.

HENRY

Do you think he’s coming for me?

MARCO

He went for the judge who convicted him. You helped the FBI to stop him.

A cop comes in running.

COP #1

We were called to Mr. Wallison’s manor.

HENRY

(surprised)

Mr. Wallison?

The cop nods.

HENRY (CONT'D)

It can’t be.

MARCO

Who is Mr. Wallison?

HENRY

It was the district attorney in charge when our Serial Killer was convicted.

JUNIOR

He’s coming after you all.

Henry has a worried look on his face. Junior is worried as well.

CUT TO:

INT. UNDERWORLD – GADREEL’S HIDING CAVE – DAY

Gadreel keeps telling his story to Wyatt.

WYATT

(astonished)

You plotted against the angels? The greater good?

GADREEL

Oh, c’mon. What would you do? I couldn’t let them blow up the peace we lived in. Was I wrong?

Wyatt doesn’t answer.

GADREEL (CONT'D)

Look at what this world became! Magic was given to Earth. Demons walk among humans.

Gadreel approaches the cell.

GADREEL (CONT'D)

My plan would stop all this from happening. My plan is to change all that was done. This creation!

WYATT

Your plan is to destroy Earth.

GADREEL

(laughs)

That’s the only way. I want what I had back then. Earth would destroy itself little by little anyway. I’m just helping to make it faster.

Gadreel smiles wickedly. Then he gets serious.

GADREEL (CONT'D)

(remembering)

At first, they supported me.

A shiny bright light appears.

FLASHES TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

Gadreel, Adriel and Uzriel come walking. They talk low. They stop. Gadreel looks around.

GADREEL

Everything is ready.

(smiles)

It’s time for us to put our plan in motion.

UZRIEL

(not convinced)

Are we sure of this?

Gadreel and Adriel look at him.

UZRIEL (CONT'D)

I mean. It’s us against a bunch of angels.

(to Gadreel)

What makes you think we can win? There’s only three of us against lots of angels.

GADREEL

My friend ---

Gadreel puts his right hand on Uzriel’s shoulder.

GADREEL (CONT'D)

--- Trust me. We can win.

Both look each other seriously. Then Gadreel turns to Adriel.

GADREEL (CONT'D)

We are going to win.

Adriel smiles. Both look each other deeply. Then ---

CLOSE UP: GADREEL´S EYES. They turn from blue to black and quickly they change back to blue again.

Adriel notices it.

ADRIEL

(astonished)

What was that?

Gadreel disguises.

GADREEL

What was what?

Uzriel doesn’t understand.

ADRIEL

Your eyes. They turned into black.

Gadreel smiles trying to disguise.

GADREEL

What? My eyes are blue.

ADRIEL

I know what I saw.

GADREEL

(approaches her)

Adriel, you imagined it.

Gadreel and Adriel look into each other’s eyes. Adriel lowers her gaze.

GADREEL (CONT'D)

Get ready ---

(looks at Uzriel)

--- We’ll meet later.

Uzriel nods yes. Gadreel looks again to Adriel. Adriel forces a smile. Gadreel smiles and turns to leave. Uzriel and Adriel watch him leave. Once Gadreel is gone, Adriel approaches Uzriel and whispers.

ADRIEL

I know what I saw.

Uzriel is serious.

UZRIEL

I believe you. To be honest, he’s been different. Ever since our last battle against Darkness.

Adriel deviates her glance from Uzriel.

UZRIEL (CONT'D)

What if what we are doing is wrong?

Adriel looks at Uzriel.

UZRIEL (CONT'D)

We are three. How are we going to win?

ADRIEL

You’re right.

UZRIEL

I think we should stop him.

ADRIEL

He is our friend.

UZRIEL

He’s more than that. But we have not chance against them. Against our family.

Adriel and Uzriel look into each other’s eyes.

ADRIEL

We would be betraying him.

UZRIEL

Maybe we would be doing what’s right.

Adriel nods. They hug each other.

FLASHES TO:

INT. UNDERWORLD – GADREEL’S HIDING CAVE – DAY

Gadreel has his back on Wyatt. Wyatt is sitting on the bed.

GADREEL

He convinced her to betrayed me.

WYATT

You were plotting against the angels.

Gadreel turns to Wyatt. He’s eyes are full of rage.

GADREEL

(aloud)

I was doing what was right!

Wyatt stands. They look each other seriously.

GADREEL (CONT'D)

He made her betray me.

CLOSE UP: GADREEL’S EYES. They turn to black and then turn back to blue.

GADREEL (CONT'D)

I loved her.

WYATT

(not asking; assuring)

And he loved her too.

Gadreel approaches Wyatt’s cell.

GADREEL

And we both knew what the other was feeling. She knew.

Gadreel lowers his gaze.

GADREEL (CONT'D)

And she loved us too.

WYATT

But she chose him.

Gadreel looks seriously to Wyatt.

GADREEL

(raging)

Only because he made her mind.

A shiny white light floods the cave.

FLASHES TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

ON: Handreel’s face. He looks angry and disappointed at the same time.

HANDREEL

How could you?

Handreel is in front of both Uzriel and Adriel.

ADRIEL

I’m so sorry.

Handreel turns his back on them.

HANDREEL

I knew something wasn’t right.

Uzriel and Adriel exchange glances.

HANDREEL (CONT'D)

He never revealed how he did it.

Handreel turns to them.

HANDREEL (CONT'D)

He never really told us how he stopped Darkness from harming you, Adriel.

Adriel is serious.

HANDREEL (CONT'D)

Don’t you remember?

Adriel thinks for a moment.

ADRIEL

No. I was there. Darkness was getting to me and then he stepped in. And when I realized, Gadreel was there, sound and safe.

(looks straight to Handreel)

He just said that I was safe.

Handreel is thoughtful.

HANDREEL

He got infected.

Uzriel and Adriel exchange glances.

UZRIEL

With Darkness?

Handreel nods yes.

UZRIEL (CONT'D)

But we can save him, right?

HANDREEL

It depends.

Handreel is serious.

HANDREEL (CONT'D)

He said that you could win?

UZRIEL

Yes.

HANDREEL

Then, I’m afraid it was not just a simple infection.

ADRIEL

(fearful)

Then?

Handreel takes a deep breath.

HANDREEL

Gadreel has been taken by Darkness. He has become Darkness himself.

ON: ADRIEL. She is fearful and worried at the same time.

HANDREEL (CONT'D)

I’m gonna need the two of you to stop him.

Uzriel nods yes. Adriel lowers her gaze.

FLASHES TO:

EXT. SAN FRANCISCO – DAY (PRESENT DAY)

A daily view over the town.

CUT TO:

EXT. SAN FRANCISCO – TOP OF THE GOLDEN GATE BRIDGE – DAY

Tamora is there walking from a side to another. She seems like she’s waiting for someone. BEAT. Some ORBS start appearing behind her. Sebastian ORBS in behind her. He is wearing an elegant dark gray suit.

SEBASTIAN

Tam?

Tamora turns around and faces him. She smiles and runs to hug him. Both smile. Then they kiss.

TAMORA

I’m so glad they allow you to keep your phone.

Sebastian laughs. They break the hug.

SEBASTIAN

For the rest of the world, I’m still alive, remember?

TAMORA

You are alive.

SEBASTIAN

You know what I mean.

Tamora smiles. They kiss again.

SEBASTIAN (CONT'D)

But I believe your text said something like ---

(quoting)

‘There’s something important I need to talk to you’.

(stares at her)

What is it?

Tamora takes a deep breath. She takes her hand to the back of her pants and then --- BEAT. She shows him an athame.

CLOSE UP: ONE OF GADREEL’S ATHAME.

SEBASTIAN (CONT'D)

What’s that?

TAMORA

I took this the day we vanquished Barbas. One of the demons we fought possessed it.

(pauses)

He said that it worked.

SEBASTIAN

I don’t understand.

TAMORA

Me neither. Back then, I mean.

Sebastian takes the athame.

TAMORA (CONT'D)

We could only vanquish that demon when he stopped holding the athame.

Sebastian looks seriously at the object like he's trying to analyze it.

SEBASTIAN

Are you saying that this athame is some sort of amulet?

TAMORA

I believe it’s more than that.

Sebastian stares seriously at Tamora. She seems very certain of what she’s saying.

TAMORA (CONT'D)

Last night another was found.

SEBASTIAN

(surprised)

Another athame?

Tamora nods yes.

TAMORA

Prue and Chris’ power had no effect on the demon. And when Melinda used the athame to stab a demon ---

(pauses)

--- His powers transferred to her.

SEBASTIAN

Two athames?

Tamora nods yes.

TAMORA

So, I think this thing is an amulet and a Power Sucking athame.

(pauses)

Worse.

They stare at each other.

TAMORA (CONT'D)

He is giving them those athames.

SEBASTIAN

Darkness?

TAMORA

What else?

Sebastian stares at the athame.

SEBASTIAN

Have you told this to your family?

TAMORA

No, I haven’t. First, I wanted to make sure I’m not getting crazy.

SEBASTIAN

You are not. Nowadays we need to be careful. Darkness is among us and he already put his plan in motion.

TAMORA

I know. People are being infected with Darkness.

SEBASTIAN

Indeed. We need to be careful.

They stare at each other.

TAMORA

I won’t stop till I find him.

Sebastian lowers his gaze.

SEBASTIAN

The demon that killed me?

Tamora nods yes.

TAMORA

He’s gonna pay.

SEBASTIAN

Tam ---

TAMORA

I’ve made my mind, Sebastian.

Sebastian takes a deep breath realizing that it’s not worth reasoning with her. He hands the athame back to Tamora.

SEBASTIAN

Just be careful.

TAMORA

I will.

Then, Sebastian approaches her and kisses her.

SEBASTIAN

I’ve missed you.

TAMORA

Elders’ fault.

Sebastian smiles and both kiss again.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. BAY MIRROR – DAY

ON: BAY MIRROR’S SIGN.

CUT TO:

INT. BAY MIRROR – MIRROR’S MAGAZINE – WYATT’S OFFICE – DAY

The door opens slowly. Chris comes in slowly. He looks around the room. Chris feels nostalgic. He takes his hands to his hips and takes a deep breath. Melissa comes in slowly as well. She looks at Chris.

MELISSA

Chris?

Chris turns to her.

MELISSA (CONT'D)

Are you OK?

Chris forces a smile. Chris looks up. He’s trying to hold his own tears.

CHRIS

It’s the first time I come in this office since ---

He is unable to finish the sentence.

MELISSA

It had to happen sooner or later.

(pauses)

It’s your office now.

Chris turns to Melissa.

MELISSA (CONT'D)

I’m sure he wouldn’t want someone else taking over his place.

Chris forces a smile. He heads towards the desk.

CHRIS

When I was younger, I use to had this inferiority complex towards him.

(looks at Melissa)

He got his powers from the womb.

Melissa seems amazed.

CHRIS (CONT'D)

Mom was invincible when she was pregnant with him.

MELISSA

(surprised)

Wow.

CHRIS

Yeah.

Chris takes a frame from the desk.

CLOSE UP: WYATT AND PRUE ARE IN THE PHOTO ON THEIR WEDDING DAY.

CHRIS (CONT'D)

(looks at the frame)

He used to make fun of me all the time.

(looks at Melissa)

I would give anything to have him back.

Melissa gives him a sympathetic look. Chris puts the frame on the desk.

MELISSA

We have work.

Chris sits at the desk.

MELISSA (CONT'D)

The Serial Killer. My contact at the S.F.P.D. told me that he was going after those who helped to put him behind bars.

CHRIS

Do you have a contact in the police station?

Melissa smiles.

MELISSA

Don’t get so enthusiastic. It’s your cousin.

CHRIS

(astonished)

Junior is passing you information?

MELISSA

I can be very persuasive.

CHRIS

I can see.

MELISSA

(approaches the desk)

Thing is, they think he may go after Captain Mitchell.

CHRIS

My uncle?

MELISSA

Know any other?

Chris nods no.

MELISSA (CONT'D)

He helped the FBI back them.

CHRIS

OK. Maybe I should do something.

MELISSA

They are setting up a trap.

CHRIS

(stands)

What? Why don’t I know about it?

MELISSA

Junior didn’t want to bother you. But ---

CHRIS

But?

MELISSA

I told Junior to use magic.

CHRIS

Oh, now you’re part of the team?

MELISSA

I want something to publish.

CHRIS

I’m gonna have to talk to Junior about it.

MELISSA

So, am I in?

Chris shoots Melissa a look. In that moment Tamora comes in.

TAMORA

Cous, I need to talk to you.

Tamora realizes Melissa is there.

TAMORA (CONT'D)

Oh, you’re here!

Melissa shoots her a look.

TAMORA (CONT'D)

(to Chris)

I need to talk to you about something.

MELISSA

Is it about your father?

Tamora doesn’t understand.

TAMORA

My father?

MELISSA

Yes, the Serial Killer is after him.

TAMORA

No, it’s about Darkness. Wait, what?

CHRIS

A Serial Killer got off prison two nights ago and he is going after those who put him behind bars.

MELISSA

(realizes something)

Darkness.

Chris and Tamora look at her.

MELISSA (CONT'D)

That explains how he got out.

CHRIS

What are you talking about, Melissa?

Melissa looks at them.

MELISSA

Don’t you see it? Darkness is the explanation to all craziness that’s happening? Lots of prisoners have got out and no one knows how.

TAMORA

(agrees)

And yesterday Cass helped her ex’s mother.

CHRIS

(surprised)

She did what?

TAMORA

I’ll explain later. Why don’t we get back to my father?

MELISSA

Good. Let’s go, I’ll explain on our way there.

CHRIS

Melissa!

MELISSA

(shoots him a look)

Junior promised me a two pages’ interview about the capture.

CHRIS

(takes a deep breath)

I really need to talk to Junior.

Melissa smiles victoriously. Melissa leaves the office. Tamora shoots Chris a look.

TAMORA

(astonished)

Junior is passing information to her?

Chris shrugs. He signs Tamora to exit. Both head out the office.

CUT TO:

EXT. SAN FRANCISCO – DAY TO NIGHT

The sun sets and a cloudy night covers the town. The Golden Gate Bridge gets covered by fog.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – NIGHT

All lights are off, but a floor lamp. Henry is there walking from a side to another. He seems worried. He looks at his wristwatch, then he approaches the window and lurks outside. Then he heads to the armchair and sits, waiting.

CUT TO:

EXT. PRESCOTT STREET – INT. CAR – NIGHT

Junior and Inspector Delgado are inside Delgado’s car. They are a few meters away from Junior’s house. They are observing the house.

JUNIOR

I hope this won’t turn a bad idea.

MARCO

Your father knows what he’s doing.

Junior and Marco exchange glances.

CUT TO:

EXT. PRESCOTT STREET – STREET – NIGHT

Chris, Tamora and Melissa are behind some brushes watching at the Mitchell’s manor.

CHRIS

Junior is not alone?

MELISSA

No. he told me Inspector Delgado wanted to be part of the operation.

CHRIS

Inspector Delgado?

Melissa nods.

CHRIS (CONT'D)

I don’t like him.

TAMORA

Well, if we are going to use magic to stop the killer, how are we going to make that Inspector not seeing it?

CHRIS

No idea.

Tamora thinks for seconds.

TAMORA

We knock him out.

Melissa and Chris look at her.

MELISSA

You want to beat a cop?

TAMORA

A witch’s got to do what she’s got to do.

CHRIS

I agree.

(pauses)

But that won’t be our biggest problem.

MELISSA

How so?

CHRIS

If Darkness is behind this, I bet we won’t be able to use our powers on that killer.

TAMORA

He is a human, Chris.

Chris shoots Tamora a look.

CHRIS

Somehow, I believe that it wouldn’t stop Darkness.

Tamora knows Chris is right. She looks serious at the house. While Tamora is serious looking at the house, she seems like she just saw something.

TAMORA’S POV: A HOODED FIGURE, TRYING NOT TO BE SEEN, APPROACHES THE HOUSE.

TAMORA

We’ll figure it out.

Tamora points to the hooded figure approaching the house. Chris and Melissa look at it. Then Chris and Tamora exchange glances.

CUT TO:

EXT. PRESCOTT STREET – INT. CAR – NIGHT

Junior and Marco are still there. Junior is checking his phone. He’s got a text.

ON: TEXT --- FROM: TAMORA / TEXT: GAME ON.

Marco touches Junior’s arm and signs him to look at the house. Junior looks at it.

JUNIOR AND MARCO POV: THE HOODED FIGURE HEADS TO THE BACK OF THE HOUSE.

JUNIOR

Let’s go!

Junior and Marco get out of the car and approach the house. They take off their guns.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – NIGHT

Henry is still there. He is still worried. He gets up from the armchair. He takes his hands to his hips.

SERIAL KILLER JONES

Inspector Mitchell!

BEAT. ON HENRY. He is serious. Henry swallows. Little by little, Henry turns around. The man stands in the shadows and it is clear that he is holding some kind of knife.

HENRY

Jones!

Both stare at each other. Henry lowers his gaze to the athame.
 

HENRY (CONT'D)

Your murder weapon has changed.

Jones steps into the light that comes from the floor lamp. The man has a scary face. He looks at his athame. Jones smiles.

SERIAL KILLER JONES

I’ve got a new friend.

HENRY

I’ve heard.

SERIAL KILLER JONES

Have you heard of your friends as well?

HENRY

They were no my friends.

SERIAL KILLER JONES

You helped them putting me behind bars.

HENRY

You deserved it. You killed those women.

SERIAL KILLER JONES

(rude)

They deserve it. They were impure women.

HENRY

They were innocents.

Jones laughs.

SERIAL KILLER JONES

It doesn’t matter anymore. No one can stop me now.

HENRY

We’ll see.

At that moment, a loud sound is heard. It comes from the front door. Soon, Junior and Marco head in the living room holding their guns and pointing them to Jones.

MARCO

(commanding)

Put that knife down, Jones. It’s over.

Jones laughs. Marco glances at Junior not understanding why Jones is laughing.

MARCO (CONT'D)

I said put your guns down, Jones.

SERIAL KILLER JONES

I won’t!

Both stare at each other.

SERIAL KILLER JONES (CONT'D)

I wouldn’t mind taking you too as well, but first I have to kill Inspector Mitchell.

The guns don’t frighten Jones. He turns to Henry and heads towards him. Marco shoots Jones in his left arm. Jones stops. Little by little he turns to Marco and Junior. Jones laughs.

SERIAL KILLER JONES (CONT'D)

It won’t stop me.

Marco looks astonished at Junior while Jones keeps walking towards Henry. Henry steps back. At that moments, Marco is hit in his back and falls down the floor. Tamora stands there holding a china vase. Junior looks at her.

JUNIOR

It was about time.

Chris and Tamora come in. Henry takes out his gun and shoots Jones who isn’t stopped by the shoot.

HENRY

What the hell?!

SERIAL KILLER JONES

It won’t hurt me.

Henry drops his gun.

JUNIOR

We’ve got to do something.

Junior and Chris exchange glances. Chris tries to use TELEKINESIS on the killer, but as expected, it doesn’t work.

TAMORA

It won’t work.

Jones grabs Henry and both fight. Jones throws Henry against a side table.

CHRIS

We’ve got to do something.

Tamora takes out from the back of her pants the athame she showed to Sebastian. Henry stands and throws a vase to Jones.

HENRY

(aloud)

Guys, anytime now!

CHRIS

(to Tamora)

What are you going to do with that?

Tamora is serious.

TAMORA

Junior is good with guns.

Tamora looks at her brother.

TAMORA (CONT'D)

(to Junior)

What about throwing athames?

Junior and Tamora stare at each other. Junior takes the athame fast. Jones gets on Henry. Junior looks at the athame. Henry can get off Jones. Jones is about to stab Henry.

CHRIS

(to Junior)

You can do it!

Junior takes a deep breath. Then he concentrates and throws the athame to Jones. He is hit in the chest and falls down the floor. Henry gets off the killer. Jones is still alive on the floor. Henry kicks Jones’s athame away. Chris approaches Jones and takes off the other athame from Jones’s chest. Jones is agonizing.

CHRIS (CONT'D)

Time to get back to jail.

TAMORA

No.

They all look at Tamora.

TAMORA (CONT'D)

He can take him out again.

Jones laughs.

TAMORA (CONT'D)

We should kill him.

HENRY

Sweetie, he is a human being.

TAMORA

Someone like him has no humanity inside.

Tamora is full of rage.

TAMORA (CONT'D)

If you don’t do it, I will.

Tamora is about to head to Jones, but Junior stops her. Tamora looks at him.

JUNIOR

It would be easier to explain some bullets than and burned body.

Tamora nods. Junior looks at his gun and approaches Jones.

HENRY

Son ---

Junior looks at his father.

HENRY (CONT'D)

--- Don’t.

JUNIOR

He tried to kill my father. He’s got to pay.

Junior approaches Jones and stands next to him. Jones laughs louder. Junior looks at him with disdain and points the gun to him. Junior and Henry exchange glances. Junior is serious. He shoots Jones in the chest once… and twice… and three times. Jones starts bleeding and soon his eyes close. He is dead.

JUNIOR (CONT'D)

He won’t hurt anyone else anymore.

Henry, Tamora and Chris look at Junior. ON JUNIOR. He is serious.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. PRESCOTT STREET – NIGHT (MOMENTS LATER)

Some police cars, an ambulance and the coroner’s van are parked in front of the Matthews / Mitchell manor. Marco is being seen by a paramedic. Melissa is by them. The coroner’s assistants are taking Jones body out of the house. Henry is talking to some cops. Chris and Tamora are close by talking to Junior.

MELISSA

(to Marco)

--- So, he had a partner?

Marco looks at her while the paramedic takes care of Marco's injury in the back of his head.

MARCO

It’s what looks like. I was knocked out by him.

Melissa pretends to believe him.

MARCO (CONT'D)

(to the paramedic)

It’s that almost done?

The paramedic and Melissa exchange glances. Melissa shoots the paramedic a sympathetic look.

MELISSA

I think I have enough.

Melissa shoots Marco a thankful look and heads towards Chris, Tamora and Junior.

CHRIS

(to Junior)

Did he believe in the partner thing?

JUNIOR

He had to.

TAMORA

The important thing is that he didn’t see anything.

CHRIS

I don’t know, I don’t trust him.

Tamora and Junior look at Chris. Melissa approaches them.

CHRIS (CONT'D)

Call it a feeling.

MELISSA

He said that the killer had a partner.

Jones' body is put inside the van and the coroner’s assistants close the back doors.

MELISSA (CONT'D)

(to Junior)

Now, can I have the story from the savior’s point of view?

Junior shoots Chris a look.

CHRIS

About that ---

JUNIOR

I promised her. Besides, she's kinda part of the time, now.

(to Melissa)

Can it be tomorrow?

TAMORA

Part of the time?

Tamora rolls her eyes. Melissa shoots Tamora a look and then looks back at Junior.

MELISSA

It certainly can.

The paramedic finishes taking care of Marco’s injury. Marco signs him ‘thank you’ and heads towards Junior, Chris, Tamora and Melissa. Chris signs the others that Marco is approaching. Marco approaches them.

JUNIOR

(to Marco)

Feeling better?

MARCO

I’ll be better when I find the partner.

(to Junior)

Are you sure you didn’t see his face?

JUNIOR

Completely.

Marco looks at Chris.

MARCO

Mr. Halliwell, I’m surprised with your presence here.

CHRIS

My family house is across the street.

MARCO

And you were just passing by?

CHRIS

My sister and my sister-in-law live there. Am I allowed to come and visit them?

Marco and Chris stare at each other for seconds. Then Marco turns to Junior.

MARCO

We should go to the station to finish the report.

JUNIOR

Sure. I’ll meet you there.

Marco nods yes and walks away.

CHRIS

I don’t really like him.

Henry approaches them.

HENRY

(to Junior)

Son, are you OK?

JUNIOR

Why wouldn’t I be, father?

HENRY

Well, you just ---

JUNIOR

(rude)

I’m fine.

Henry stares at Junior. Chris and Melissa exchange glances.

JUNIOR (CONT'D)

I’ll be in the station.

Junior walks away.

HENRY

(worried)

I’m worried of how he feels after what he did.

TAMORA

Please, dad, he put an end on a criminal.

HENRY

(whispers)

He was a human being!

TAMORA

Working with the evilest enemy we have ever faced.

(approaches Henry)

He killed Wyatt.

HENRY

Still, we can’t go out and kill every human being infected with Darkness.

TAMORA

(cold)

No, but there’s always casualties in a war.

Tamora turns around and walks away.

HENRY

What’s wrong with her?

CHRIS

I think that what happened with Sebastian is still affecting her.

HENRY

Sebastian is alive.

CHRIS

Still. She suffered a lot.

MELISSA

And now Wyatt.

HENRY

What are my kids becoming?!

Henry is thoughtful. Chris and Melissa exchange glances.

CUT TO:

EXT. SAN FRANCISCO – NIGHT

A night view over the town.

CUT TO:

INT. UNDERWORLD – GADREEL’S CAVE – NIGHT

Gadreel is there with Ignatius. Ignatius is reporting him what happened.

GADREEL

(surprised)

He was killed?

IGNATIUS

Indeed. One of the witches did it.

(pauses)

He went after those who put him behind bars, as ordered.

GADREEL

And one of those people happened to be part of the Halliwell family?

Ignatius nods.

GADREEL (CONT'D)

You knew it when you released him from jail, didn’t you?

Ignatius nods again.

IGNATIUS

I thought you’d be pleased.

GADREEL

Well, I guess the plan didn’t go well, huh?

IGNATIUS

I’m sorry.

GADREEL

Don’t be sorry. Next time, make sure the plan ends well.

Ignatius nods.

GADREEL (CONT'D)

Now, leave me alone.

Ignatius nods again.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – NIGHT

Gadreel comes in. Wyatt is still there behind bars sitting in the tiny bed.

GADREEL

Good news for you.

Wyatt stands.

GADREEL (CONT'D)

Your uncle Henry is fine.

WYATT

What?

GADREEL

Now, let’s get back to my story.

Both stare at each other.

FLASHES TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

Handreel, Uzriel and Adriel are there. It seems like Handreel is instructing Adriel of how to do something.

HANDREEL

You’ll get close to him. Close enough.

ADRIEL

He will suspect.

HANDREEL

He trusts you.

ADRIEL

That’s the problem. I’m betraying him.

HANDREEL

(holds her hands)

You’ll be doing what’s right, child.

Adriel and Uzriel exchange glances.

ADRIEL

What do I do then?

HANDREEL

The medallion that every warrior angel carries on their armor?

Uzriel takes his hand towards the medallion located in his armor.

ADRIEL

(to Handreel)

You gave me one to when I was a young angel.

HANDREEL

Indeed. Somehow, I knew you were meant to be a warrior.

Adriel forces a smile.

HANDREEL (CONT'D)

Take your sword and cut your hand with it.

UZRIEL

(to Adriel; surprised)

Do you have a sword?

HANDREEL

Like I said, I knew she was meant to be a warrior. I created her sword myself.

ADRIEL

And you told me to keep it a secret.

HANDREEL

But you used it in our last battle.

ADRIEL

I couldn’t go to war without it.

Handreel smiles.

HANDREEL

Anyway, that’s when Uzriel shows up.

(looks at Uzriel)

You both should join your blood and touch Gadreel’s medallion with your bleeding hands.

UZRIEL

And then?

Handreel looks from Uzriel to Adriel.

HANDREEL

Then, I’ll go in.

Adriel and Uzriel exchange glances.

ADRIEL

I’m afraid.

HANDREEL

He is Darkness. We have to stop him.

Handreel hugs Adriel. At that moment, a male angel comes in. He seems tired and worried.

ANGEL #1

Handreel ---

Handreel lets go of Adriel. The three of them look at Angel #1.

ANGEL #1 (CONT'D)

Others have joined him. Gadreel is attacking.

HANDREEL

(surprised)

Others?

UZRIEL

(surprised)

He took other angels into the middle of this?

HANDREEL

Did you know about it?

ADRIEL

No, we didn’t.

Handreel seems more worried.

HANDREEL

Let’s keep the plan.

Adriel and Uzriel nod yes.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – BIG ROOM (A LONG, LONG TIME AGO)

Some angels are down. It seems like a battle took place there. Their bodies are incinerated. Gadreel stands in the middle of the room holding his sword. Other angels stand there holding theirs. It looks like those angels are working with Gadreel as well.

ADRIEL (O.S.)

Gadreel?

Gadreel turns around little by little and sees Adriel there holding her sword. Gadreel smiles.

GADREEL

Adriel! I was waiting for you.

ADRIEL

I’m here now.

Adriel starts walking towards Gadreel. The others just stand there looking at them.

GADREEL

Are you ready to win this battle by my side?

Adriel forces a smile. They get really close to each other.

GADREEL (CONT'D)

We are doing the right thing.

ADRIEL

I know.

Gadreel smiles.

GADREEL

Now, let’s go. There are things we need to do.

ADRIEL

Wait.

Gadreel looks at her.

ADRIEL (CONT'D)

I need to tell you something.

Gadreel looks at the others and then looks back at Adriel.

ADRIEL (CONT'D)

You were always one of my best friends.

GADREEL

(smiles)

Once we finish this, we can be more than that. There won't be rules.

Adriel lowers her gaze.

ADRIEL

No, we can’t.

Gadreel gets serious.

GADREEL

What’s wrong, Adriel?

Adriel looks at her sword. She approaches the blade to her left hand.

GADREEL (CONT'D)

What are you doing, Adriel?

Adriel cuts the palm of her left hand. Gadreel is astonished. Adriel’s hand bleeds.

GADREEL (CONT'D)

Adriel?

Adriel looks at Gadreel. She has a sad expression and her eyes are wet. Gadreel distrusts.

GADREEL (CONT'D)

(distrustful)

Where’s Uzriel?

UZRIEL (O.S.)

I’m right here.

Gadreel looks at Uzriel who approaches them fast. Uzriel also holds his sword and his right hand is already bleeding.

GADREEL

What the hell is going on?

UZRIEL

The Gadreel I knew would never use that word.

Gadreel looks from Uzriel to Adriel.

GADREEL

Adriel?

A tear runs down Adriel’s face. Uzriel takes Adriel’s left hand.

ADRIEL

(sad)

I’m so sorry.

Uzriel, taking Adriel’s hand, takes their hands towards Gadreel’s medallion in his armor. Gadreel looks at their hands in his own chest.

GADREEL

What’s going on?

Gadreel tries to move, but he can’t. His own sword falls down the white floor.

GADREEL (CONT'D)

Why I can’t move?

ADRIEL

I’m so sorry, but this is the right thing to do.

At that moment, Handreel walks in.

HANDREEL

It’s over, Gadreel.

Gadreel looks at Handreel.

HANDREEL (CONT'D)

Or should I call you Darkness?

Gadreel eyes turn to black. Adriel wants to take her hand off Gadreel’s medallion, but Uzriel holds her hands strongly.

GADREEL

What have you done?

Handreel and Gadreel stare at each other for seconds. Then Handrell raises his arms and starts chanting something in Latin.

HANDREEL

‘Ex Tempore,

Ex Spacio.

Tui, qui venerunt de lumine,

Incarcerem vobis,

Tenebris, in carcerem te’

A white light comes from the medallion. Uzriel takes his hands and Adriel’s away.

GADREEL

(aloud)

No!

Adriel suffers. Uzriel hugs her.

GADREEL (CONT'D)

(to Adriel and Uzriel)

Why?

ADRIEL

I’m sorry.

The white light surrounds Gadreel and soon he disappears. Adriel cries hard in Uzriel's arms. All the other angels throw their swords on the floor in signs of redemption. Handreel is serious. Some others angels enter the room.

HANDREEL

(commanding)

Arrest them.

The angels approach the other angels who were working with Gadreel and arrest them. They are taken out of the room. Handreel approaches Uzriel and Adriel.

UZRIEL

What happened to him?

GADREEL

He’ll spend eternity locked down until we find a way to take Darkness out of him.

ADRIEL

What’s gonna happen to us?

Handreel looks Adriel with a soften expression.

HANDREEL

Oh, Child, I’m afraid you both have crossed the line. You cannot get away from it without a punishment.

UZRIEL

We know that.

Handreel looks seriously at them.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – BIG ROOM – TIME AFTER (A LONG, LONG TIME AGO)

Adriel and Uzriel are both there. Waiting. Soon, Handreel comes in. Adriel approaches him.

ADRIEL

(anxious)

So, news?

UZRIEL

Have you reached a decision after all these years?

Handreel forces a smile.

HANDREEL

I did everything I could and your punishment could be worst.

UZRIEL

What is it?

HANDREEL

(takes a deep breath)

You ---

(to Uzriel)

--- And the other angels who betrayed us, will take the fall.

Uzriel lowers his gaze.

ADRIEL

No. Handreel, please.

HANDREEL

Child, it could be worst.

ADRIEL

But we don’t know that place.

HANDREEL

It’s call Earth.

ADRIEL

It’s a place full of those humans.

HANDREEL

Those humans exist because we succeeded in locking Darkness away.

ADRIEL

But they are inferior beings.

HANDREEL

They are His creation, Adriel.

Adriel lowers her gaze.

HANDREEL (CONT'D)

(to Adriel)

Anyway, you won’t go.

Adriel looks at Handreel.

ADRIEL

(surprised)

What?

HANDREEL

You will stay here with me.

Adriel and Uzriel exchange glances.

ADRIEL

No.

(looks at Uzriel)

I cannot let him go alone.

HANDREEL

He won’t be alone.

UZRIEL

Adriel ---

ADRIEL

No.

Adriel looks at Handreel.

ADRIEL (CONT'D)

I want to take the fall with Uzriel.

(supplicant)

Please.

Handreel and Uzriel exchange glances.

HANDREEL

You just said that humans are inferior beings.

ADRIEL

I could not live without him.

Adriel looks at Uzriel. He smiles at her. She smiles back.

HANDREEL

(to Adriel)

If that’s your decision?

Adriel and Uzriel hold hands.

ADRIEL

But first, I need to talk to him.

Handreel and Uzriel exchange glances.

HANDREEL

Are you sure?

Adriel nods yes.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – GADREEL CAGE (A LONG, LONG TIME AGO)

Gadreel is there sitting on the floor. He is wearing a white robe. His eyes are closed. The cage is surrounded by white walls. One of the walls, turns into bars. Handreel stands outside the bars. Gadreel keeps his eyes closed.

GADREEL

What do you want?

HANDREEL

Someone needs to see you.

Adriel approaches Handreel. Gadreel opens his eyes and sees her there.

GADREEL

(surprised)

Adriel?

Gadreel stands and approaches the bars. Adriel nods to Handreel. Handreel leaves.

GADREEL (CONT'D)

(smiles)

You came!

Adriel puts one of her hands on the bars. Gadreel holds her.

GADREEL (CONT'D)

I knew you wouldn’t leave me.

Adriel forces a smile.

ADRIEL

I’m leaving.

Gadreel gets serious.

GADREEL

What?

ADRIEL

I’m taking the fall, Gadreel.

GADREEL

They can’t do that to you. Humans, they are ---

ADRIEL

(cuts him off)

It’s over.

Adriel takes off her hand.

ADRIEL (CONT'D)

This is goodbye.

GADREEL

No.

Uzriel comes in. Gadreel looks at him. His eyes turn black.

GADREEL (CONT'D)

(to Uzriel)

This is your fault.

UZRIEL

We did the right thing, my friend.

GADREEL

(mad)

I’m not your friend. You betrayed me.

(looks at Adriel)

Both of you.

ADRIEL

I’m sorry.

GADREEL

(to Adriel)

It wasn’t your fault. He ---

(points to Uzriel)

--- made your mind.

ADRIEL

No, he didn’t.

GADREEL

You don’t know what you’re doing.

UZRIEL

Goodbye, Gadreel.

Handreel comes in.

HANDREEL

It’s time.

GADREEL

(distressed)

NO!

ADRIEL

Goodbye!

Uzriel and Adriel walk away. Gadreel holds the bars and cries aloud!

GADREEL

I’ll have my revenge, Uzriel. I will. I promise you, I will.

Handreel approaches the bars.

HANDREEL

It’s over.

GADREEL

No, it’s not over. I’ll leave this place sometime and I’ll rescue her from what you’ve put her through.

HANDREEL

It was her choice.

Gadreel wasn’t waiting for it. He is surprised.

HANDREEL (CONT'D)

She chose to take the fall with Uzriel.

GADREEL

You’re lying.

Handreel nods no. Gadreel steps back.

GADREEL (CONT'D)

It can’t be.

HANDREEL

I’ll come to visit you every now and then. After all, you’ll spend eternity in here.

Handreel waves her hand and the bars turn into wall again. Gadreel is red rage. He cries aloud.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE (A LONG, LONG TIME AGO)

Handreel, Uzriel and Adriel as well as the other angels that will take the fall are there.

UZRIEL

Will it hurt?

HANDREEL

No, it won’t. Just close your eyes and trust.

ADRIEL

Will we be humans?

HANDREEL

Oh, no, child. You’ll be more than that.

ADRIEL

Will we remember?

HANDREEL

As long as you live and as long as you want to.

UZRIEL

How long will we live?

HANDREEL

Let things roll itself.

ADRIEL

I’m gonna miss you.

HANDREEL

I’ll keep an eye on you. I promise.

Adriel smiles. Then she approaches Handreel and both hug.

HANDREEL (CONT'D)

Now, it’s time for you to go.

Uzriel and Adriel nod. Both Adriel and Uriel close their eyes. The other angels do the same too. A shiny white light surrounds them moments later and then, they disappear.

FLASHES TO:

EXT. DESERT – DAY (A LONG, LONG TIME AGO)

Uzriel, Adriel and the other angels are there in the middle of the desert.

ADRIEL

Here we are.

UZRIEL

The desert.

Adriel and Uzriel exchange glances.

UZRIEL (CONT'D)

I think we should change our names. It would be easier for us to fit in.

ANGEL #2

We would never fit in here.

UZRIEL

We’ll try to.

ADRIEL

I want to be called Isis.

Adriel looks at Adriel. He smiles.

UZRIEL

I want to be named Osiris.

ANGEL #2

I should be named Seth.

Uzriel and Adriel hold hands.

UZRIEL

Let’s go build our home on this Earth.

Uzriel and Adriel exchange glances and smile. They walk.

FLASHES TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – NIGHT

Only the side table lamp’s light is on. ON PRUE. She raises her eyes from the book.

PRUE

I know Darkness’ name!

She is serious.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – NIGHT

Gadreel stands seriously at Wyatt. Wyatt is also serious looking at Gadreel.

WYATT

She chose him.

GADREEL

They betrayed me.

WYATT

So, you are actually looking for revenge.

GADREEL

On him, yes. The revenge I have prepared for her is taking you out of the picture and making her living with me for eternity.

WYATT

Yeah, right. What do I have to do with that?

GADREEL

(approaches the bars)

Haven’t you understood yet?

Wyatt is serious.

GADREEL (CONT'D)

Why do you think I keep you here?

Wyatt swallows.

GADREEL (CONT'D)

They stayed together then and they found each other in each life they lived.

(pauses)

Yes, Handreel did me a favor by keeping me posted.

(pauses)

And for years, I’ve tried a way to connect with her.

Wyatt reminds serious.

GADREEL (CONT'D)

Until now. She was born a witch with visions. And I could communicate with her.

WYATT

(gets it)

No.

GADREEL

Oh, yes. Uzriel, my best friend, and Adriel, the women I always loved, are no others than you and Prue.

Wyatt sits on the bed astonished.

GADREEL (CONT'D)

I had centuries to prepare my revenge and now I’m here to get what I want.

(serious)

Your misery and she by my side.

Wyatt is really astonished. ON GADREEL. He smiles wickedly.

CUT TO BLACK.

END OF THE EPISODE